
NEW YORK — Tim Burton and Johnny Depp’s trip down the rabbit hole draw huge crowd, as “Alice in the Wonderland” earn a enormous $116.3 million in its opening weekend — a record for a 3-D film.
That total easily surpass all further films in free and gave Walt Disney Studios an even better opening than that of the immensely popular 3-D film “Avatar.” It also noticeable the major opening weekend for a non-sequel.
“This is just one of those enlightening phenomenon’s that has fixed everybody’s interest,” said Chuck Viane, Disney’s president of allocation. “They don’t come like this very often.”
The massive early achievement of the film — which strike forecasts — came on Oscar Sunday, adding to the deception. Earlier than the weekend, Disney and 20th Century Fox compete over the accessible 3-D ready screens; screens prepared for 3-D are quickly growing, but still number less than 4,000 in the U.S. and Canada.
Before “Alice,” many of those screens were still enthusiastic to Fox’s box-office behemoth, “Avatar,” which is up for nine Academy Awards on Sunday, as well as best picture.
In its 12th week of free, “Avatar” earned $7.7 million over the weekend; bring its snowballing domestic total to $720.2 million.
Asked whether the diminishment of 3-D and IMAX screens hurt “Avatar,” Chris Aronson, head of distribution for Fox, said, “No question.”
“Are we dissatisfied? Sure,” said Aronson. “But there are confident market forces that are past anything we can do. To have an 11-week window is beautiful much to no avail of. It positively permitted this movie to be bare and witness by so many people.”
“Avatar” isn’t failing, while, and it can be probable to regain 3-D and IMAX screens, in particular if it wins best picture.
“We’ll have that compromise tomorrow morning with show, without a doubt,” said Aronson.
The weekend’s second best actor at the box-office was Overture’s “Brooklyn’s Finest,” Antoine Fuqua’s gritty police murder mystery. It earned $13.5 million in its first weekend of free, according to studio estimate.
Martin Scorsese’s “Shutter Island” for supreme followed closely with $13.3 million in its third week of release; bring its growing total to $95.8 million. Warner Bros.’s comedy “Cop Out” came in fourth, adding $9.1 million for a two-week total of $32.4 million.
But “Alice” carefully conquered the weekend, astounding even Disney. The film was probable to open closer to $65-75 million.
It was a record release for the first district of the year, classically a time of inferior box-office outlook and gravely much-admired Oscar contender. The earlier first quarter record was Mel Gibson’s “Passion of the Christ,” which opened with $83.8 million in Feb. 2004.
“We went into Friday thinking that we really had a big hit with us, and then all of a sudden the numbers started to roll in,” said Viane. “They ongoing to roll in from midnight Friday morning and you could tell from the size of the crowd. We did $4 million that day at midnight. You could tell the large notice in the movie.”
“Alice” went on to make $41 million just on Friday.
“We said, `Oh my gosh. This is better than any of us could have probable,” said Viane.
Though review were mostly reverentially negative, much of the film’s draw was definitely in teaming director Burton and his common collaborator, Depp, who plays the Mad Hatter. It also accessible moviegoers with a 3-D updating of Lewis Carroll’s beloved characteristic. While at times dark, it gain a PG rating from the MPAA (for, among other things, “a smoking caterpillar”), which predestined a large number of kids could go to.
But it proves once again how major the draw of 3-D is to moviegoers. The technology has constantly overstated box-office gross for the whole thing from “Avatar” to “gray with a Chance of Meatballs.”
“Alice” also plays across 188 IMAX screens in North America and gave IMAX its best breach ever, with $11.9 million nationally. That beat the preceding record of $9.5 million set by “Avatar.” IMAX chairman and leader Greg Foster said the huge success of “Alice” was unanticipated, but that “Avatar” would get back some of those IMAX screens, whether or not it wins best picture.
“The drive on 3-D is so enormous right now,” said Foster. “They were set for a new movie. They were ready for a new, cool 3-D skill.”